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	<title>Artists &#8211; Hestia Belgrade</title>
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		<title>Domingos de Barros Octaviano</title>
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		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Mon, 31 Oct 2022 14:29:57 +0000</pubDate>
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					<description><![CDATA[Born 1985 in São Paulo (Brazil). Graduated as an illustrator and graphic designer, Domingos is currently studying fine arts at HBK Brunswick (Germany). Working across different media ranging from sculpture, painting and installations, the artist puts a lot of emphasis on indigenous culture and forms of language, sometimes creating his own alphabets and symbols. Storytelling&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Domingos de Barros Octaviano</h1>		</div>
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							<p>Born 1985 in São Paulo (Brazil). Graduated as an illustrator and graphic designer, Domingos is currently studying fine arts at HBK Brunswick (Germany). Working across different media ranging from sculpture, painting and installations, the artist puts a lot of emphasis on indigenous culture and forms of language, sometimes creating his own alphabets and symbols. Storytelling and imagination take form in his canvases as well as in his travel books which he avidly creates along his journeys. Having grown up next to the sea he is deeply linked to its culture and inhabitants as well as being influenced by the diverse aspects of his native Brazil. Being born on March 11th also influenced his artistic production deeply, as his zodiac sign is a Pisces, which is a recurring symbol in his work, an emotional dreamer.</p><p>“I deeply believe in a deeper universal connection between all living beings. One of the things I try to reach with my art is this inner string that unites us all independently of boundaries and territories. I think culture plays a bigger role than a nation and I am not a nationalist, but I canʼt deny that one can only know oneself better in contact with what is different, thatʼs why being in Germany plays a big role in my artistic and self-development. Brazilian culture is always going to be in my heart, I can not deny what I am, but I like to do the anthropophagic experience and internalize several different cultures and learnings inside myself and my artistic production. “ &#8211; Domingos de Barros Octaviano</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/DOMINGOSCV2022.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Paraíso (Bem-vindo à Cachoeira), oil on canvas, 270x494cm, 2021								</div>
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																		 Engel, oil pastel and oil on canvas, 2021, 80x100cm								</div>
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																		Es Gibt Da Eine Seele, vernis layers on paper, mounted on wood, 200 x 150cm, 2020								</div>
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																		Lembranca de Juazeiro Do Norte, lacquer layers on canvas, 200 x 150cm, 2020								</div>
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																		At Night By The Mountains series, lacquer layers on wood, 17,5x15 cm, 2019								</div>
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																		Vista, Installation, MDF and Wood, 2019, 265cm height								</div>
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																		“Caderno de Viagem” Book, Softcover with 15 digital prints + one original aquarelle in Wooden Box, 2019.								</div>
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																		Gravity tryptych, paper transfer and epoxy resin on canvas, 145 x 150cm each, 2019								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<item>
		<title>Clément Bedel</title>
		<link>https://hestiabelgrade.com/artist/clement-bedel/</link>
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		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Sun, 30 Oct 2022 17:09:00 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=620</guid>

					<description><![CDATA[Clément Bedel (b.1993) is a visual artist based in Mulhouse, France. He completed his MA studies at the École Nationale Supérieure d’Art de Nancy in 2017 and lived and worked in Belgrade from 2016 to 2020. Growing up in Les Vosges formed in him a fundamental sense of nature that resonates with German Romanticism and&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Clément Bedel</h1>		</div>
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							<p>Clément Bedel (b.1993) is a visual artist based in Mulhouse, France.</p><p>He completed his MA studies at the École Nationale Supérieure d’Art de Nancy in 2017 and lived and worked in Belgrade from 2016 to 2020.</p><p>Growing up in Les Vosges formed in him a fundamental sense of nature that resonates with German Romanticism and the idea of Weltschmerz. While residing in Serbia he also developed a strong attachment to the aesthetic and essence of Brutalist architecture.</p><p>He almost exclusively practices painting, assembling hybrid elements in an attempt to touch that timeless moment of calmness, plenitude and silence right after the end, and from there on, a future not so lost, but rather born anew with the presence of organic forms derived from nature.</p><p>Clément Bedel participated in many group shows in France, Germany and Serbia, as well as artist residencies in Leipzig (2019) and Istanbul (2020). He most notably had solo exhibitions in KC Grad, Belgrade (2019), Biennale Jeune Création, Mulhouse (2019) and U10 ArtSpace, Belgrade (2021).</p><p>In 2022 he will exhibit in Centre Culturel de Serbie Paris, Fondation François Schneider Wattwiller, Art Karlsruhe Fair as well as solo exhibitions in London and Stuttgart.</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/clementcv.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Caught up in static dreams, oil on canvas, 280x190, 2021								</div>
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																		Alone, together, oil on canvas, 146x110cm, 2021								</div>
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																		Exhibition view, Grateful Park, Leipzig, Germany, 2019								</div>
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																		Jugo beach, 230x340cm, oil on canvas, 2020								</div>
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																		Love factory, oil on canvas, 40x40cm, 2022								</div>
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																		Red sun, oil on canvas, 50x40cm, 2021								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<item>
		<title>Biljana Djurdjević</title>
		<link>https://hestiabelgrade.com/artist/biljana-djurdjevic/</link>
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		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Fri, 28 Oct 2022 18:33:11 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=1690</guid>

					<description><![CDATA[Biljana Djurdjevic (b. 1973, Belgrade, Serbia) is an artist practicing mainly in painting and animation works. Djurdjevic holds an MA from the Faculty of Fine Arts in Belgrade, Serbia, and a DA in Fine Arts from the Faculty of Fine Arts in Belgrade, Serbia. She was also a guest lecturer at Parsons the New School&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Biljana Djurdjević</h1>		</div>
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															<img decoding="async" width="750" height="750" src="https://hestiabelgrade.com/wp-content/uploads/2022/10/Biljana-Djurdjevic-portrait-photo-Ziyah-Gafic-copy.jpeg" class="attachment-full size-full wp-image-1695" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/10/Biljana-Djurdjevic-portrait-photo-Ziyah-Gafic-copy.jpeg 750w, https://hestiabelgrade.com/wp-content/uploads/2022/10/Biljana-Djurdjevic-portrait-photo-Ziyah-Gafic-copy-300x300.jpeg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/10/Biljana-Djurdjevic-portrait-photo-Ziyah-Gafic-copy-150x150.jpeg 150w" sizes="(max-width: 750px) 100vw, 750px" />															</div>
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							<p>Biljana Djurdjevic (b. 1973, Belgrade, Serbia) is an artist practicing mainly in painting and animation works. Djurdjevic holds an MA from the Faculty of Fine Arts in Belgrade, Serbia, and a DA in Fine Arts from the Faculty of Fine Arts in Belgrade, Serbia. She was also a guest lecturer at Parsons the New School for Design from 2010 to 2011.</p><p>While in earlier years Djurdjevic concentrated mainly on painting, she has recently begun developing her large-scale paintings into stop-motion animations.</p><p>Selected solo shows include: Museum of Contemporary Art in Banja Luka“Case Study” (2022,Bosnia &amp;Herzegovina),The Salon of the Museum of Contemprary Art “Case Study” (2022, Serbia), Dr Éva Kahán Foundation “Promised Land” (2021/22, Vienna, Budapest), Goethe Institute (2017, Belgrade), Braverman Gallery “Instrument of Activity” (2015, TelAviv), Contemorary Art Museet Moderna “Living in Oblivion” (2006, Stockholm), Galerie Davide Gallo (2006 Berlin), Gallery KIBLA (2009, Slovenia), Haifa Museum of Art (2009, Haifa), Cultural Center Belgrade (2010, Serbia), Museum of Contemporary Art (2013, Belgrade).</p><p>Selected group exhibitions include: Art Gallery Nadezda Petrovic. Memorial Nadezda Petrovic, (2020, Cacak Serbia). Belgrade City Museum (2016, Belgrade), ESSL Collection Museum (2013, Austria), Frissiras Museum (2010, Athens), Hagaur Museum (2010, Oslo), Austrian Cultural Forum (2010, New York), Ascona Museum of Modern Art (2007, Ascona), Musée d’art moderne Saint-Étienne Métropole (2009, Saint-Étienne), Museum of Contemporary Art (2009, Klagenfurt), Palazzo delle Arti Napoli (2006, Naples), Sonoma Valley Museum of Art (2006, San Francisco)…</p><p>In 2020. she published a graphic novel based on the work from her later body of work “instrument of Activity”</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="#" target="_blank">Artist’s CV</a></h3>		</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<title>Daniel García Andújar</title>
		<link>https://hestiabelgrade.com/artist/daniel-garcia-andujar/</link>
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		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Thu, 27 Oct 2022 17:04:55 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=607</guid>

					<description><![CDATA[Daniel G. Andújar is a visual artist, theoretician and activist who works and lives in Barcelona. Through interventions in public space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, Spain, 1966) oscillates between territories&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Daniel García Andújar</h1>		</div>
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															<img loading="lazy" decoding="async" width="750" height="750" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/Daniel-profile-photo.jpg" class="attachment-full size-full wp-image-608" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/Daniel-profile-photo.jpg 750w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Daniel-profile-photo-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Daniel-profile-photo-150x150.jpg 150w" sizes="auto, (max-width: 750px) 100vw, 750px" />															</div>
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							<p>Daniel G. Andújar is a visual artist, theoretician and activist who works and lives in Barcelona. Through interventions in public space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, Spain, 1966) oscillates between territories that are real (the city) and virtual (the Net). Since the late 80s he has been starting up internet projects, he is a founding member of the ‘irational.org’ web collective, and developed ‘Technologies To The People® (TTTP)’, a non-profit organization that provides access to new technologies to those people that lack the means to use them. These collectives hack and appropriate material from contemporary culture with the aim of revealing the often problematic politics or absurd logic of the internet. With open source and collective methods of production, they undermine the notion of material or intellectual property, or the newly acquired power of digital technology.</p><p>He sets out from the premise that when displaying/dissecting the connections found between the inequalities that generate both social and power relations, they are envisaged in a context like the current one. Most of his art projects are based on collaborative research that explores different political, historical, social and cultural phenomena and their media representations in a critical way: body politics, corruption, censorship, xenophobia, urban developments, the cultural industries, the inclusion and exclusion of technologies, the use of public space, etcetera.</p><p>He has taught and directed workshops and seminars for artists and social collectives in numerous countries. His works have been shown in numerous exhibitions worldwide including Manifesta 4 and 53rd Venice Biennale. The Spanish National Museum Reina Sofia in Madrid hosted a comprehensive one-man show from January to April 2015, curated by Manuel Borja-Villel. In 2017 participate in documenta14 in Athens and Kassel.</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/daniel-garcia-andujar-cv.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-Capitalism-Tower-colour.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="427327fe" data-elementor-lightbox-title="1-Capitalism-Tower-colour" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjEzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMS1DYXBpdGFsaXNtLVRvd2VyLWNvbG91ci5qcGciLCJzbGlkZXNob3ciOiI0MjczMjdmZSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-Capitalism-Tower-colour.jpg" data-width="1000" data-height="1178" aria-label="" role="img" ></div>
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																		 “Pyramid of Capitalist System, three wrong copies” (colour), 2019. Robotic painting, acrylic on canvas. 179 x 150 cm.								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/2-Capitalism-Towers-b-w.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="427327fe" data-elementor-lightbox-title="2-Capitalism-Towers-b-w" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjE0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMi1DYXBpdGFsaXNtLVRvd2Vycy1iLXcuanBnIiwic2xpZGVzaG93IjoiNDI3MzI3ZmUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/2-Capitalism-Towers-b-w.jpg" data-width="1000" data-height="590" aria-label="" role="img" ></div>
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																		“Pyramid of Capitalist System, three wrong copies” (black and white), 2019. Robotic painting, acrylic on canvas. 179 x 150 cm. each.								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/3-Daniel-Garcia-Andujar-Code-is-Law.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="427327fe" data-elementor-lightbox-title="3-Daniel-Garcia-Andujar-Code-is-Law" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjE1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMy1EYW5pZWwtR2FyY2lhLUFuZHVqYXItQ29kZS1pcy1MYXcuanBnIiwic2xpZGVzaG93IjoiNDI3MzI3ZmUifQ%3D%3D">
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																		 “Code is Law”, 2021. Robotic painting, acrylic on canvas. 150 x 150 cm.								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/4-Daniel-Garcia-Andujar-installation.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="427327fe" data-elementor-lightbox-title="4-Daniel-Garcia-Andujar-installation" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjE2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNC1EYW5pZWwtR2FyY2lhLUFuZHVqYXItaW5zdGFsbGF0aW9uLmpwZyIsInNsaWRlc2hvdyI6IjQyNzMyN2ZlIn0%3D">
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																		“Digital Economy Principles”, 2020/21. Robotic painting, acrylic on canvas, NFT (installation) Dimensions variable.								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/5-Money-has-no-future.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="427327fe" data-elementor-lightbox-title="5-Money-has-no-future" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjEyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNS1Nb25leS1oYXMtbm8tZnV0dXJlLmpwZyIsInNsaWRlc2hvdyI6IjQyNzMyN2ZlIn0%3D">
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																		“Money Has No Future”, 2021. Robotic painting, acrylic on canvas. 88 x 120 cm.								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<title>Nicolás Grum</title>
		<link>https://hestiabelgrade.com/artist/nicolas-grum/</link>
					<comments>https://hestiabelgrade.com/artist/nicolas-grum/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Wed, 26 Oct 2022 12:45:17 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=274</guid>

					<description><![CDATA[Born in Santiago de Chile in 1977. In 2001 he obtained his Bachelor degree in Fine Arts at the PUC University in Santiago, Chile. “In the last few years, my practice has investigated power structures and the diverse ways they operate according to their context. I am particularly focused on uneven power relations within social&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Nicolás Grum</h1>		</div>
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															<img loading="lazy" decoding="async" width="1105" height="1105" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait.jpg" class="attachment-full size-full wp-image-277" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait.jpg 1105w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait-1024x1024.jpg 1024w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait-150x150.jpg 150w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Grum_portrait-768x768.jpg 768w" sizes="auto, (max-width: 1105px) 100vw, 1105px" />															</div>
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							<p>Born in Santiago de Chile in 1977. In 2001 he obtained his Bachelor degree in Fine Arts at the PUC University in Santiago, Chile.</p><p>“In the last few years, my practice has investigated power structures and the diverse ways they operate according to their context. I am particularly focused on uneven power relations within social systems and understanding reality as a space that functions through manipulation, revisions, deceit, and power. These principles, when subverted within my work, allow me to reach failures, ironies and absurd hypotheses about history and the present.</p><p>My work ranges from the analysis of the reality built by industries such as the film industry (using Hollywood movies that mention “Chile” as something exotic or distant) to researching the way policing and economic systems works (‘leaving’ a ‘suspicious package’ in the New York Subway, or calling Budweiser’s Customer Service to make a complaint about a bottle that contained a floating Statue of Liberty inside). My most recent pieces are centered on reviewing the form in which history is built and classified. Using a series of museum dioramas which depict scenes of forgotten or censored historical facts, it is possible to build an impossible museum, of a different narrative. I mostly perceive art as a form of versatile approximation, in which observation and adaptation to specific contexts are key, just like humor and critiques.” &#8211; Nicolás Grum</p><p><a href="https://www.grum.cl/home"><span style="text-decoration: underline;">For more info go to Nicolás Grum’s website</span></a></p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/NicolasGrumfinpdf.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Nicolás Grum, La Rebelión de la Huaca (Huaca's rebelion), exhibition, April 28th - June 14th 2022, CCU Gallery, SCL, Santiago								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Don-t_Forgive_US-01-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Don-t_Forgive_US-01 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvRG9uLXRfRm9yZ2l2ZV9VUy0wMS0xLmpwZyIsInNsaWRlc2hvdyI6IjI1NDg2NDIifQ%3D%3D">
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															<div class="elementor-gallery-item__content">
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																		  Nicolás Grum, Don’t Forgive Us, Wax & Cardboard, 36,5 x 51,5 x 40,5 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Giants_do_not_exist-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Giants_do_not_exist (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvR2lhbnRzX2RvX25vdF9leGlzdC0xLmpwZyIsInNsaWRlc2hvdyI6IjI1NDg2NDIifQ%3D%3D">
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																		Nicolás Grum, Giants do not exist, Polycarbonate and wood, 27,5 x 43,5 x 34,5 cm, 2013								</div>
												</div>
									</a>
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															<div class="elementor-gallery-item__content">
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																		  Nicolás Grum, Intihuatana, Mixed Media, 47 x 23 x 37 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Melted_gun-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Melted_gun (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvTWVsdGVkX2d1bi0xLmpwZyIsInNsaWRlc2hvdyI6IjI1NDg2NDIifQ%3D%3D">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		  Nicolás Grum, Melted Gun, Bronze, 22 x 35 x 8 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/No_More-01-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="No_More-01 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvTm9fTW9yZS0wMS0xLmpwZyIsInNsaWRlc2hvdyI6IjI1NDg2NDIifQ%3D%3D">
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															<div class="elementor-gallery-item__content">
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																		  Nicolás Grum, No More, Wax and wood, 36,5 x 51,5 x 30 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Oblivion-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Oblivion (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvT2JsaXZpb24tMS5qcGciLCJzbGlkZXNob3ciOiIyNTQ4NjQyIn0%3D">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Nicolás Grum, Oblivion, Ceramic and watercolor, 13 x 26 x 8 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Oil_Pump-01-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Oil_Pump-01 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvT2lsX1B1bXAtMDEtMS5qcGciLCJzbGlkZXNob3ciOiIyNTQ4NjQyIn0%3D">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Nicolás Grum, Oil Pump (Chupasangre), Mix media, 32 x 38 x 26 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Orden_y_Patria-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Orden_y_Patria (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvT3JkZW5feV9QYXRyaWEtMS5qcGciLCJzbGlkZXNob3ciOiIyNTQ4NjQyIn0%3D">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Nicolás Grum, Orden Y Patria II, Sculpture, 450 x 220 x 50 cm								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Resistencia-01.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Resistencia-01" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmVzaXN0ZW5jaWEtMDEuanBnIiwic2xpZGVzaG93IjoiMjU0ODY0MiJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Resistencia-01.jpg" data-width="867" data-height="1300" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Nicolás Grum, Resistencia, Bronze, 34,5 x 18 x 15,5 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/RV-01-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="RV-01 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjkwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUlYtMDEtMS5qcGciLCJzbGlkZXNob3ciOiIyNTQ4NjQyIn0%3D">
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															<div class="elementor-gallery-item__content">
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																		Nicolás Grum, R.V, Mix media, 46 x 32 x 10 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Santa_Maria-01.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Santa_Maria-01" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjkxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvU2FudGFfTWFyaWEtMDEuanBnIiwic2xpZGVzaG93IjoiMjU0ODY0MiJ9">
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																		Nicolás Grum, Torre Santa María, Mix media, 20 x 20 x 30 cm, 2014								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Shelter-01-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="Shelter-01 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvU2hlbHRlci0wMS0xLmpwZyIsInNsaWRlc2hvdyI6IjI1NDg2NDIifQ%3D%3D">
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															<div class="elementor-gallery-item__content">
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																		Nicolás Grum, Shelter, Mix media, 25 x 20 x 12 cm, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset-1.jpeg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2548642" data-elementor-lightbox-title="image-asset (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvaW1hZ2UtYXNzZXQtMS5qcGVnIiwic2xpZGVzaG93IjoiMjU0ODY0MiJ9">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		  Nicolás Grum, Intihuatana, Mixed Media, 47 x 23 x 37 cm, 2015								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		]]></content:encoded>
					
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			</item>
		<item>
		<title>Jorge Marín</title>
		<link>https://hestiabelgrade.com/artist/jorge-marin/</link>
					<comments>https://hestiabelgrade.com/artist/jorge-marin/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Tue, 25 Oct 2022 13:42:28 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=357</guid>

					<description><![CDATA[Born 1986 in Medellín. Lives and works between Medellín and Bogotá. The thin line that separates reality from fiction, allows us to address, through imposture, political, social and cultural contexts, revealing flaws and gaps in our historical construction. Through fictional, anachronistic and utopian representations, these relationships between reality and fiction, allow each project to go&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Jorge Marín</h1>		</div>
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							<p>Born 1986 in Medellín. Lives and works between Medellín and Bogotá.</p><p>The thin line that separates reality from fiction, allows us to address, through imposture, political, social and cultural contexts, revealing flaws and gaps in our historical construction. Through fictional, anachronistic and utopian representations, these relationships between reality and fiction, allow each project to go through multiple means, techniques and research and postproduction tools, which, assumed from a reflexive position, allow each project to become a critical and analytical comment</p><p>This contemporary reflection around the imposture assumes problematic interactions between languages and the blurry boundaries between simulacrum and reality, original and copy, fiction and document. In this search, the generative, utopian and parodic capacity is restored to the word, turning it into a tool that complements the image, taking the production to an extended or expansive dimension, in which its foundations are maintained, despite the fact that the supports , the inscription, the scale, the materials and the combination with other languages put it in a situation of estrangement or dislocation. Each project is understood as a process of research-creation of medium and long term, which uses multidisciplinary strategies that seek to focus attention on debates and thoughts that go beyond the plastic, seeking active readings beyond their visual and aesthetic characteristics. This leads to the investigation and production of each project, should be understood according to the words of Hal Foster, not as the vertical deepening in a language, but as the horizontal displacement by different means and resources, which the artist takes advantage of in a way Eclectic, according to a specific need.</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/jorgecv2022.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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								<div class="elementor-element elementor-element-7604c29 elementor-widget elementor-widget-gallery" data-id="7604c29" data-element_type="widget" data-settings="{&quot;gallery_layout&quot;:&quot;masonry&quot;,&quot;columns&quot;:2,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:60,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:40,&quot;sizes&quot;:[]},&quot;overlay_description&quot;:&quot;caption&quot;,&quot;lazyload&quot;:&quot;yes&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;}" data-widget_type="gallery.default">
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-Los-que-no-se-olvidan-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="1--Los-que-no-se-olvidan (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMS1Mb3MtcXVlLW5vLXNlLW9sdmlkYW4tMS5qcGciLCJzbGlkZXNob3ciOiI3NjA0YzI5In0%3D">
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																		Jorge Marín, Los que no se olvidan (Those who do not forget), Drawing on wooden boards, Nine pieces, 22,4 x 37 cm each one, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset.jpeg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="image-asset" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvaW1hZ2UtYXNzZXQuanBlZyIsInNsaWRlc2hvdyI6Ijc2MDRjMjkifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset.jpeg" data-width="1000" data-height="605" aria-label="" role="img" ></div>
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																		Jorge Marín, Planteamientos cartográficos (Cartographic approaches), Drawing with fire on turned wood, Five pieces, 6 x 20,5 cm each one, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset-4.jpeg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="image-asset (4)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzYzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvaW1hZ2UtYXNzZXQtNC5qcGVnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset-4.jpeg" data-width="2500" data-height="832" aria-label="" role="img" ></div>
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																		Jorge Marín, Primera plana (Front page), Editorial material intervention with draft, Four pieces, Variables each one (around 29 x 37,5 cm), 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/4-Grandes-obras-maestras-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="4--Grandes-obras-maestras (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzcxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNC1HcmFuZGVzLW9icmFzLW1hZXN0cmFzLTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
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																		Jorge Marín, Grandes obras maestras (Great masterpieces) , Old photographs and typewriter on paper, Four pieces, paper 14 x 21,5 cm, variables each photograph, 2015 								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/image-asset-5.jpeg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="image-asset (5)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvaW1hZ2UtYXNzZXQtNS5qcGVnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
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																		Jorge Marín, America , Editorial material intervention, Three pieces, 34,1 x 48,2 cm each one, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/6-Libertad-es-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="6--Libertad-es (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNi1MaWJlcnRhZC1lcy0xLmpwZyIsInNsaWRlc2hvdyI6Ijc2MDRjMjkifQ%3D%3D">
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																		Jorge Marín, Libertad es… (Freedom is…) , Digital printing, postal stamp, ink and text, Twelve pieces, 14,5 x 9,5 cm each one, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/11-La-tierra-eramos-nosotros-Open-box-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="11--La-tierra-eramos-nosotros--Open-box- (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMTEtTGEtdGllcnJhLWVyYW1vcy1ub3NvdHJvcy1PcGVuLWJveC0xLmpwZyIsInNsaWRlc2hvdyI6Ijc2MDRjMjkifQ%3D%3D">
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																		Jorge Marín, Lo que queda ya no es paisaje , La tierra eramos nosotros (The land was us), Intervention of editorial material, music tape and video, Box set close 22 x 22,5 cm, video 1:21 min, 2017 								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/14-Fronteras-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="14--Fronteras (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzYyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMTQtRnJvbnRlcmFzLTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
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																		Jorge Marín, Fronteras (Borders) , Collage and intervention of editorial material, Two pieces, 24 x 32,5 cm, 2018 								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/10-Terra-Firma-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="10--Terra-Firma (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMTAtVGVycmEtRmlybWEtMS5qcGciLCJzbGlkZXNob3ciOiI3NjA0YzI5In0%3D">
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																		Jorge Marín, Terra Firma, Watercolor and ink on 100% cotton paper, 102 x 67 cm, 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-AFICHE2-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="1---AFICHE2 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMS1BRklDSEUyLTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-AFICHE2-1.jpg" data-width="2500" data-height="3500" aria-label="" role="img" ></div>
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																		Jorge Marín, Poster 2, Digital print on paper, P/A + 5 Copies, 50 x 70 cm, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/2-AFICHE4-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="2---AFICHE4 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMi1BRklDSEU0LTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
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																		Jorge Marín, Poster 4, Digital print on paper, P/A + 5 Copies, 50 x 70 cm, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/3-AFICHE8-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="3---AFICHE8 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzY5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMy1BRklDSEU4LTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/3-AFICHE8-1.jpg" data-width="2500" data-height="3500" aria-label="" role="img" ></div>
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																		Jorge Marín, Poster 8, Digital print on paper, P/A + 5 Copies, 50 x 70 cm, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/4-AFICHE9-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="4---AFICHE9 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzcwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNC1BRklDSEU5LTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/4-AFICHE9-1.jpg" data-width="2500" data-height="3500" aria-label="" role="img" ></div>
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																		Jorge Marín, Poster 9, Digital print on paper, P/A + 5 Copies, 50 x 70 cm, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/5-AFICHE11-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="5---AFICHE11 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzcyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNS1BRklDSEUxMS0xLmpwZyIsInNsaWRlc2hvdyI6Ijc2MDRjMjkifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/5-AFICHE11-1.jpg" data-width="2500" data-height="3500" aria-label="" role="img" ></div>
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																		Jorge Marín, Poster 11, Digital print on paper, P/A + 5 Copies, 50 x 70 cm, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/6-Alegoría-a-la-vida-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="6---Alegoría-a-la-vida (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzczLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNi1BbGVnb3JpXHUwMzAxYS1hLWxhLXZpZGEtMS5qcGciLCJzbGlkZXNob3ciOiI3NjA0YzI5In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/6-Alegoría-a-la-vida-1.jpg" data-width="1743" data-height="2410" aria-label="" role="img" ></div>
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																		Jorge Marín, Alegoría a la vida (Allegory to life), 90 masks modeled in unburned clay, Variables, 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/7-Breve-bibliografía-de-las-Indias-detalle-1-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="7---Breve-bibliografía-de-las-Indias--detalle-1- (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNy1CcmV2ZS1iaWJsaW9ncmFmaVx1MDMwMWEtZGUtbGFzLUluZGlhcy1kZXRhbGxlLTEtMS5qcGciLCJzbGlkZXNob3ciOiI3NjA0YzI5In0%3D">
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																		Jorge Marín, Breve bibliografía de las Indias (Brief bibliography of the Indies), Blank books with rustic binding and gold texts, iron structure, 260 x 40 x 35 cm (approximately), 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/8-Grafías-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="8---Grafías (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvOC1HcmFmaVx1MDMwMWFzLTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/8-Grafías-1.jpg" data-width="2500" data-height="1763" aria-label="" role="img" ></div>
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																		Jorge Marín, Grafías (Spellings), Iron oxide on cotton paper, 60 x 60 cm each one, 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/9-Relación-de-los-viajes-al-Nuevo-Mundo-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="7604c29" data-elementor-lightbox-title="9---Relación-de-los-viajes-al-Nuevo-Mundo (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzc3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvOS1SZWxhY2lvXHUwMzAxbi1kZS1sb3MtdmlhamVzLWFsLU51ZXZvLU11bmRvLTEuanBnIiwic2xpZGVzaG93IjoiNzYwNGMyOSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/9-Relación-de-los-viajes-al-Nuevo-Mundo-1.jpg" data-width="2500" data-height="3485" aria-label="" role="img" ></div>
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																		Jorge Marín, Relación de los viajes al Nuevo Mundo (Relation of trips to the New World, Drawing on 100% cotton paper, 49 x 64 cm, 2016								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		]]></content:encoded>
					
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		<title>Radenko Milak</title>
		<link>https://hestiabelgrade.com/artist/radenko-milak/</link>
					<comments>https://hestiabelgrade.com/artist/radenko-milak/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Mon, 24 Oct 2022 14:52:38 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=472</guid>

					<description><![CDATA[Born 1980 in Travnik (former Yugoslavia), lives and works in Banja Luka (Bosnia and Herzegovina) and produces projects around the world. After graduating at the Faculty of Fine Arts at the University of Arts in Belgrade, he started creating works prolifically mostly as series. Mainly focusing on painting, watercolor, drawing and animation films, he defines&#8230;]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="472" class="elementor elementor-472" data-elementor-post-type="dt_portfolio">
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			<h1 class="elementor-heading-title elementor-size-default">Radenko Milak</h1>		</div>
				</div>
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															<img loading="lazy" decoding="async" width="720" height="720" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/radenko.jpg" class="attachment-full size-full wp-image-473" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/radenko.jpg 720w, https://hestiabelgrade.com/wp-content/uploads/2022/11/radenko-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/radenko-150x150.jpg 150w" sizes="auto, (max-width: 720px) 100vw, 720px" />															</div>
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							<p>Born 1980 in Travnik (former Yugoslavia), lives and works in Banja Luka (Bosnia and Herzegovina) and produces projects around the world. After graduating at the Faculty of Fine Arts at the University of Arts in Belgrade, he started creating works prolifically mostly as series. Mainly focusing on painting, watercolor, drawing and animation films, he defines himself as a painter of the digital era and makes the image the very matter of his creation. Trapped in Bosnia during Yugoslavia’s unfortunate and violent break up, Milak made use of what was available to him at the time: media, books and press material as a source to develop his ideas in his studio. His works put into play the symbolic power of images and their aesthetic potential, in an epoch when they are gradually replacing articulated languages and when their production has gotten out of control with the coming of the digital age. Focusing on topics such as personal stories and collective memory, Milak’s trademark black and white creations resonate as phantasmagoric echoes of the past or elude to new issues we might face in the future. In 2017, he represented Bosnia and Herzegovina for the 57th Venice Biennale with a conceptual exhibition entitled &#8220;University of Disaster”. In 2018 he was part of the Kochi-Muziris biennale. He is currently working on his solo shows for this year at the Marta Herford Museum and the Museum of Contemporary Art in Zagreb.</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/RadenkoMilakpdf.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Beirut-Civili-War-Hotel-Holiday-Inn-45x35cm-watercolor-2-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Beirut-Civili-War--Hotel-Holiday-Inn--45x35cm--watercolor--2 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDc5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvQmVpcnV0LUNpdmlsaS1XYXItSG90ZWwtSG9saWRheS1Jbm4tNDV4MzVjbS13YXRlcmNvbG9yLTItMS5qcGciLCJzbGlkZXNob3ciOiI3ODg0MDY1NSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Beirut-Civili-War-Hotel-Holiday-Inn-45x35cm-watercolor-2-1.jpg" data-width="2500" data-height="3267" aria-label="" role="img" ></div>
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																		Radenko Milak, Beirut Civili War, Hotel Holiday Inn, 45x35cm, watercolor, 2019								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/COLOMBIA-Near-Guapi-1976-Based-on-photo-Ferdinando-Sciann-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="COLOMBIA--Near-Guapi-1976---Based-on-photo-Ferdinando-Sciann (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDgxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvQ09MT01CSUEtTmVhci1HdWFwaS0xOTc2LUJhc2VkLW9uLXBob3RvLUZlcmRpbmFuZG8tU2NpYW5uLTEuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/COLOMBIA-Near-Guapi-1976-Based-on-photo-Ferdinando-Sciann-1.jpg" data-width="2500" data-height="1765" aria-label="" role="img" ></div>
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																		Radenko Milak, COLOMBIA. Near Guapi 1976, (Based on photo Ferdinando Scianna), watercolor, 36x50, 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Sophia-Magdalena-Scholl-was-a-German-student-and-Christian-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Sophia-Magdalena-Scholl---was-a-German-student-and-Christian (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDk0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvU29waGlhLU1hZ2RhbGVuYS1TY2hvbGwtd2FzLWEtR2VybWFuLXN0dWRlbnQtYW5kLUNocmlzdGlhbi0xLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Sophia-Magdalena-Scholl-was-a-German-student-and-Christian-1.jpg" data-width="1975" data-height="2790" aria-label="" role="img" ></div>
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																		Radenko Milak, Sophia Magdalena Scholl,  was a German student and Christian anti-Nazi political activist, died  22 February 1943, watercolor 50x36, 2015								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-2-2014.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="The-Trial--1962---26x36--watercolor-2--2014" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDk1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGhlLVRyaWFsLTE5NjItMjZ4MzYtd2F0ZXJjb2xvci0yLTIwMTQuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-2-2014.jpg" data-width="2253" data-height="1637" aria-label="" role="img" ></div>
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																		Radenko Milak, The Trial (1962), 26x36, watercolor-2, 2014								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-3-2014.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="The-Trial--1962---26x36--watercolor-3--2014" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDk2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGhlLVRyaWFsLTE5NjItMjZ4MzYtd2F0ZXJjb2xvci0zLTIwMTQuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-3-2014.jpg" data-width="2500" data-height="1819" aria-label="" role="img" ></div>
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																		Radenko Milak, The Trial (1962), 26x36, watercolor-3, 2014								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-6-2014.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="The-Trial--1962---26x36--watercolor-6--2014" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDk3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGhlLVRyaWFsLTE5NjItMjZ4MzYtd2F0ZXJjb2xvci02LTIwMTQuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Trial-1962-26x36-watercolor-6-2014.jpg" data-width="2500" data-height="1791" aria-label="" role="img" ></div>
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																		Radenko Milak, The Trial (1962), 26x36, watercolor-6, 2014								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-What-Else-Did-You-See-I-Couldn-t-See-Everything-Oil-o.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="1---What-Else-Did-You-See-I-Couldn-t-See-Everything----Oil-o" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDc3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMS1XaGF0LUVsc2UtRGlkLVlvdS1TZWUtSS1Db3VsZG4tdC1TZWUtRXZlcnl0aGluZy1PaWwtby5qcGciLCJzbGlkZXNob3ciOiI3ODg0MDY1NSJ9">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, 1 - What Else Did You See I Couldn't See Everything! - Oil on canvas, 40x60 cm								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak-Dark-Matter" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1EYXJrLU1hdHRlci5qcGciLCJzbGlkZXNob3ciOiI3ODg0MDY1NSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter.jpg" data-width="1362" data-height="948" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Dark Matter series, oil on canvas, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter-2.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak-Dark-Matter-2" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1EYXJrLU1hdHRlci0yLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter-2.jpg" data-width="760" data-height="954" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Dark Matter series, oil on canvas, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter-3.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak-Dark-Matter-3" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1EYXJrLU1hdHRlci0zLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Dark-Matter-3.jpg" data-width="704" data-height="936" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Dark Matter series, oil on canvas, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/365-Darmstad.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="365-Darmstad" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDc4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMzY1LURhcm1zdGFkLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/365-Darmstad.jpg" data-width="2500" data-height="1667" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Installation view, 365, Kunsthalle Darmstad, 2012								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Kunsthalle-Darmstadt-3.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Kunsthalle-Darmstadt-3" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDgyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvS3Vuc3RoYWxsZS1EYXJtc3RhZHQtMy5qcGciLCJzbGlkZXNob3ciOiI3ODg0MDY1NSJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Kunsthalle-Darmstadt-3.jpg" data-width="2048" data-height="1366" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		  Radenko Milak, Installation view, 365, Kunsthalle Darmstad, 2012								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Canakkale.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Canakkale" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDgwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvQ2FuYWtrYWxlLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Canakkale.jpg" data-width="1179" data-height="786" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Installation view of the watercolour series So close and yet so far4th Çanakkale Biennial, 2014								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko_Milak_-_Roman_Uran-jek_3.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko_Milak_-_Roman_Uran-jek_3" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDgzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rb19NaWxha18tX1JvbWFuX1VyYW4tamVrXzMuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko_Milak_-_Roman_Uran-jek_3.jpg" data-width="2500" data-height="1667" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Installation view, Venice Biennale, University of Disaster (Pavilion of Bosnia & Herzegovina), 2017 								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko_Milak_-_Roman_Uran-jek_4.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko_Milak_-_Roman_Uran-jek_4" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rb19NaWxha18tX1JvbWFuX1VyYW4tamVrXzQuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko_Milak_-_Roman_Uran-jek_4.jpg" data-width="2500" data-height="1667" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, From the series DATES (collaboration with Roman Uranjek), installation view, Venice Biennale (Pavilion of Bosnia & Herzegovina), University of Disaster, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Air-SeriesUniversity-of-Disaster-Quadrip.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Air----SeriesUniversity-of-Disaster---Quadrip" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1BaXItU2VyaWVzVW5pdmVyc2l0eS1vZi1EaXNhc3Rlci1RdWFkcmlwLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Air-SeriesUniversity-of-Disaster-Quadrip.jpg" data-width="2500" data-height="3613" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Air - (Series University of Disaster), Quadriptych,  Watercolor laminated on Dibond, each panel 140 cm x 200 cm, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Chernobyl-University-of-Disaster-95x135-20.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Chernobyl--University-of-Disaster--95x135--20" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1DaGVybm9ieWwtVW5pdmVyc2l0eS1vZi1EaXNhc3Rlci05NXgxMzUtMjAuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Chernobyl-University-of-Disaster-95x135-20.jpg" data-width="2500" data-height="2991" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Chernobyl (University of Disaster) 95x135, 2016								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Earth-Series-University-of-Disaster-Quad.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Earth----Series-University-of-Disaster---Quad" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDkwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1FYXJ0aC1TZXJpZXMtVW5pdmVyc2l0eS1vZi1EaXNhc3Rlci1RdWFkLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Earth-Series-University-of-Disaster-Quad.jpg" data-width="2500" data-height="3579" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Earth - (Series University of Disaster), Quadriptych,  Watercolor laminated on Dibond, each panel 140 cm x 200 cm, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Fire-Series-University-of-Disaster-Quadr.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Fire----Series-University-of-Disaster---Quadr" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDkxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1GaXJlLVNlcmllcy1Vbml2ZXJzaXR5LW9mLURpc2FzdGVyLVF1YWRyLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Fire-Series-University-of-Disaster-Quadr.jpg" data-width="2500" data-height="3600" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Fire - (Series University of Disaster), Quadriptych,  Watercolor laminated on Dibond, each panel 140 cm x 200 cm, 2017								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Hiroshima-University-of-Disaster-95x145-20.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Hiroshima--University-of-Disaster--95x145--20" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDkyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1IaXJvc2hpbWEtVW5pdmVyc2l0eS1vZi1EaXNhc3Rlci05NXgxNDUtMjAuanBnIiwic2xpZGVzaG93IjoiNzg4NDA2NTUifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Hiroshima-University-of-Disaster-95x145-20.jpg" data-width="2500" data-height="1622" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Hiroshima - (University of Disaster) 95x145, 2016								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Water-Series-University-of-Disaster-Quad.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="78840655" data-elementor-lightbox-title="Radenko-Milak--Water----Series-University-of-Disaster---Quad" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDkzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvUmFkZW5rby1NaWxhay1XYXRlci1TZXJpZXMtVW5pdmVyc2l0eS1vZi1EaXNhc3Rlci1RdWFkLmpwZyIsInNsaWRlc2hvdyI6Ijc4ODQwNjU1In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Radenko-Milak-Water-Series-University-of-Disaster-Quad.jpg" data-width="2500" data-height="3597" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Radenko Milak, Water - (Series University of Disaster), Quadriptych,  Watercolor laminated on Dibond, each panel 140 cm x 200 cm, 2017								</div>
												</div>
									</a>
					</div>
			</div>
				</div>
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		</div>
							</div>
		</section>
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				<div class="elementor-widget-container">
			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
				</div>
					</div>
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				<div class="elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-f96c11d" data-id="f96c11d" data-element_type="column">
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		]]></content:encoded>
					
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			</item>
		<item>
		<title>Marge Monko</title>
		<link>https://hestiabelgrade.com/artist/marge-monko/</link>
					<comments>https://hestiabelgrade.com/artist/marge-monko/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Sun, 23 Oct 2022 16:06:51 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=1617</guid>

					<description><![CDATA[Marge Monko (1976, Tallinn) has studied at the Estonian Academy of Arts (MA in Photography, 2008) and at the University of Applied Arts in Vienna. In 2012, she was awarded the Henkel Art Award. In 2013-2015 she participated in a studio program in HISK (Higher Institute for Contemporary Art), Ghent, Belgium. Her works can be&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Marge Monko</h1>		</div>
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							<p>Marge Monko (1976, Tallinn) has studied at the Estonian Academy of Arts (MA in Photography, 2008) and at the University of Applied Arts in Vienna. In 2012, she was awarded the Henkel Art Award. In 2013-2015 she participated in a studio program in HISK (Higher Institute for Contemporary Art), Ghent, Belgium. Her works can be found in various private and public collections (among them MUMOK – Museum of Modern Art in Vienna; Muzeum Sztuki Łódź, Poland; FRAC Lorraine, France; Fotomuseum Winterthur, Switzerland; Estonian Art Museum). Her shows include: Stones Agains Diamonds in Folkwang Museum, Essen, Germany (solo) and RIBOCA Riga Biennial of Contemporary Art (2018), It Won’t Be Long Now, Comrades! in Framer Framed, Amsterdam and Summer of Love in Art Space Pythagorion, Samos, Greece (2017), Playground festival in Museum M, Leuven, Belgium (2016). She is currently head of the Photography Department at the Estonian Academy of Arts.</p><p>Most of Monko&#8217;s works have a link to some historical event and are influenced by psychoanalysis, feminism and the theory of visual culture.</p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="#" target="_blank">Artist’s CV</a></h3>		</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<title>Mark Požlep</title>
		<link>https://hestiabelgrade.com/artist/mark-pozlep/</link>
					<comments>https://hestiabelgrade.com/artist/mark-pozlep/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Sat, 22 Oct 2022 15:41:08 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=549</guid>

					<description><![CDATA[Born 1981 in Celje (Slovenia). In 2006 he graduated from the Academy of Fine Arts at the University of Arts in Ljubljana (Slovenia) where he also received his MA degree from the Department of Video in 2009. In 2018 he graduated from HISK in Ghent (Belgium) where he currently lives and works, even though his&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Mark Požlep</h1>		</div>
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															<img loading="lazy" decoding="async" width="750" height="750" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/M-portrait.jpg" class="attachment-full size-full wp-image-550" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/M-portrait.jpg 750w, https://hestiabelgrade.com/wp-content/uploads/2022/11/M-portrait-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/M-portrait-150x150.jpg 150w" sizes="auto, (max-width: 750px) 100vw, 750px" />															</div>
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							<p>Born 1981 in Celje (Slovenia). In 2006 he graduated from the Academy of Fine Arts at the University of Arts in Ljubljana (Slovenia) where he also received his MA degree from the Department of Video in 2009. In 2018 he graduated from HISK in Ghent (Belgium) where he currently lives and works, even though his journey based practice makes him a citizen of the world. Mark is a storyteller drawing on popular culture and current events to perform tales about historical personalities, literary protagonists, characters from film and figures from various social groups. He is acutely aware of the sensitive nature of the materials he turns into stories, which he effortlessly interprets using whatever media of presentation, giving primary consideration to image vs. video, performance vs. play and classical gallery displays vs. theatre staging. He takes us into a world composed of documentary materials, lived experience, spoken word as well the unconscious and the elusive, but without creating an atmosphere of mystery. Požlep transmutes his own reality into the reality of each one of us with incredible lucidity. He propels us into a realm where his stories make reality more bearable, a realm in which childlike yearning and enthusiasm fuse and transform into spirited anecdotes full of unforgettable exploits. He is an adventurer, a tireless explorer and an incorrigible idealist. He is playful yet utterly serious, precise yet unpredictably clumsy. And even though he keeps returning to the canvas and the brush, his faithful allies, his spirit refuses to be confined to the safe space of his atelier. Being an excellent navigator both at sea and through the contemporary world he navigates both creating awareness about issues of power, minority ethnic groups and cultures in the shadow.</p><p><span style="text-decoration: underline;"><a href="http://pozlepmark.com/">For more info go to Mark Požlep’s website</a></span></p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/mark-pozlep.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Mark Požlep, Blueprint For Revolution, painting, acrylic and mix material on canvas, 200x300 cm, rope, 2x black neon light, 2018.								</div>
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																		Mark Požlep, HOGSHEAD 733, Artistic Books, 733 Whisky Bottles, video, 2018.								</div>
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																		Mark Požlep, SOUTHWIND.								</div>
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																		Mark Požlep, Stranger Than Paradise, Lecture performance, 60 min, 2016.								</div>
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																		Mark Požlep, Whatever Happened To Major Tom, Installation, video 25’30”, two photographs 100x70cm, vitrine with project fragments, 2012.								</div>
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																		Mark Požlep, Island, Public intervention, durational performance, public installation, 2016.								</div>
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					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2023/02/KGLU-Onkraj-meja-2021-87.jpg" data-width="6048" data-height="4024" aria-label="" role="img" ></div>
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																		Mark Požlep, Island, Public intervention, durational performance, public installation, photo documentation,2016								</div>
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																		Mark Požlep, Island, Public intervention, durational performance, public installation, photo documentation, 2016								</div>
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																		Mark Požlep, Island, Public intervention, durational performance, public installation, photo documentation, 2016								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2023/02/KGLU-Onkraj-meja-2021-84.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2332739" data-elementor-lightbox-title="KGLU Onkraj meja 2021 84" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQyOCwidXJsIjoiaHR0cHM6XC9cL2hlc3RpYWJlbGdyYWRlLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyM1wvMDJcL0tHTFUtT25rcmFqLW1lamEtMjAyMS04NC5qcGciLCJzbGlkZXNob3ciOiIyMzMyNzM5In0%3D">
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																		Mark Požlep, Island, Public intervention, durational performance, public installation, photo documentation, 2016								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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		<title>Louis-Cyprien Rials</title>
		<link>https://hestiabelgrade.com/artist/louis-cyprien-rials/</link>
					<comments>https://hestiabelgrade.com/artist/louis-cyprien-rials/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Fri, 21 Oct 2022 16:00:25 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=563</guid>

					<description><![CDATA[Born 1981 in Paris (France). In 2004, Louis-Cyprien Rials discovered photography in Japan and began a journey in the footsteps of the painter Hiroshige to deliver a comparative analysis of the Japanese landscape in time. Since 2008, he has devoted himself to exploring countries that are not recognized internationally and areas that are forbidden to&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Louis-Cyprien Rials</h1>		</div>
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															<img loading="lazy" decoding="async" width="684" height="684" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/Louis-Cyprien-Rials.jpg" class="attachment-full size-full wp-image-564" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/Louis-Cyprien-Rials.jpg 684w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Louis-Cyprien-Rials-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Louis-Cyprien-Rials-150x150.jpg 150w" sizes="auto, (max-width: 684px) 100vw, 684px" />															</div>
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							<p>Born 1981 in Paris (France). In 2004, Louis-Cyprien Rials discovered photography in Japan and began a journey in the footsteps of the painter Hiroshige to deliver a comparative analysis of the Japanese landscape in time. Since 2008, he has devoted himself to exploring countries that are not recognized internationally and areas that are forbidden to the public, which he sees as “involuntary natural parks”. The landscape, its depth and the interpretation we have of its representations is an important part of his work. In 2015, he was nominated for the Emerige Prize where he presented his latest video shot in Iraq (Mene, Mene, Tekel, Upharsin), extracted from the trilogy “Deserts”. In 2016, he obtained the support of the CNAP for the realization of his first personal exhibition produced after his trip to the Nuclear Polygon Semipalatinsk in Kazakhstan. In 2017 he won the prestigious “SAM Art Prize” which allowed him to travel and create new projects. From July 2018 to January 2019 he lived in Kampala (Uganda) with the team of Ramon Film Productions in Wakaliga, known as Africa’s Bollywood. Later on he crossed Tanzania, Ethiopia and Somalia, in order to prepare a trilogy of solo exhibitions at Palais de Tokyo, gallery Dohyang Lee and gallery Eric Mouchet, all in his natal Paris. He is currently selected for the prize “1% marché de l’art” which will culminate in a solo exhibition at Musée d’art moderne de Paris in October 2020.</p><p class="sqsrte-small preFade fadeIn"><span style="text-decoration: underline;"><a href="http://www.louiscyprienrials.com/">For more info go to Louis-Cyprien Rials’s website</a></span></p><p class="sqsrte-small preFade fadeIn"><span style="text-decoration: underline;"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Selected_Works_LC_RIALS_2019.pdf" target="_blank" rel="noopener">To see more of Louis-Cyprien Rials’s selected work click HERE</a></span></p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/LouisCyprienRialsfinpdf.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Louis-Cyprien Rials, Πолиго́н (Polygon), video 4k 16:9, stereo - 12’40”, Kazakhstan, 2016, sound: Romain Poirier, studio MER/NOIR, Paris. From the artist’s solo show "Pojmiti Nevidljivo" (Apprehending the Invisible) curated by Gaël Charbau								</div>
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																		Louis-Cyprien Rials, Les Ombres Restent, Nous Passons (The Shadows Stay, We Go), installation, welded steel, 2018 @ Hestia Art Residency & Exhibitions Bureau from the artist's solo show "Pojmiti Nevidljivo" (Apprehending the Invisible) curated by Gaël Charbau.								</div>
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																		Louis-Cyprien Rials, La traversée du désert bleu (Crossing of the Blue Desert), diptych, special pigment print on paper,  2017.								</div>
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																		  Louis-Cyprien Rials, Boda Boda Killer, handpainted poster on Olubugo, Uganda (collaboration with Ramon Film Productions), 2019.  Presented at the artist's solo show "On the Wakaliga Roadside", Palais de Tokyo, Paris. 								</div>
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																		  Louis-Cyprien Rials, Boda Boda Killer, handpainted poster on Olubugo, Uganda (collaboration with Ramon Film Productions), 2019.  Presented at the artist's solo show "On the Wakaliga Roadside", Palais de Tokyo, Paris. 								</div>
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																		  Louis-Cyprien Rials, Boda Boda Killer, handpainted poster on Olubugo, Uganda (collaboration with Ramon Film Productions), 2019.  Presented at the artist's solo show "On the Wakaliga Roadside", Palais de Tokyo, Paris. 								</div>
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									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Danakil-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="Danakil-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTc4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvRGFuYWtpbC1jb3B5LTEuanBnIiwic2xpZGVzaG93IjoiNWE4ZGEzZiJ9">
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																		Louis-Cyprien Rials, Après la nuit (After the Night), video 4k 16:9,  stereo - 32’, Uganda,  2019, sound: Romain Poirier, studio MER/NOIR, Paris. 								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/The-Last-crusader-Kingdom-2015-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="The-Last-crusader-Kingdom---2015-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTY5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGhlLUxhc3QtY3J1c2FkZXItS2luZ2RvbS0yMDE1LWNvcHktMS5qcGciLCJzbGlkZXNob3ciOiI1YThkYTNmIn0%3D">
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																		Louis-Cyprien Rials, Adhan (The Last Crusader Kingdom), video HD 16:9, stereo - 5’55”, KKTC (Northern Cyprus), 2011								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Dilmun-Highway-4-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="Dilmun-Highway---4-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTgwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvRGlsbXVuLUhpZ2h3YXktNC1jb3B5LTEuanBnIiwic2xpZGVzaG93IjoiNWE4ZGEzZiJ9">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Dilmun Highway, videeo HD 16:9, steereeo - 15’30”, Bahrain, 2014,  sound: Romain Poirier, studio MER/NOIR, Paris. 								</div>
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									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Mene-Mene-Tekel-Upharsin-5-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="Mene--Mene--Tekel--Upharsin---5-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTg1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvTWVuZS1NZW5lLVRla2VsLVVwaGFyc2luLTUtY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjVhOGRhM2YifQ%3D%3D">
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																		Louis-Cyprien Rials, Mene, Mene, Tekel, Upharsin, video HD 16:9, stereo - 5’55”, Iraq, 2015, sound: Romain Poirier, studio MER/NOIR, Paris. 								</div>
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									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/GDL-2019-Louis-Cyprien-Rials-001-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="GDL-2019-Louis-Cyprien-Rials-001-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTgxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvR0RMLTIwMTktTG91aXMtQ3lwcmllbi1SaWFscy0wMDEtY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjVhOGRhM2YifQ%3D%3D">
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																		Louis-Cyprien Rials, Voyage au Danakil, special pigment print on paper, 2019								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/1-Désert-inversé-2014-2-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="1---Désert-inversé---2014-2-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTc1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMS1EZVx1MDMwMXNlcnQtaW52ZXJzZVx1MDMwMS0yMDE0LTItY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjVhOGRhM2YifQ%3D%3D">
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															<div class="elementor-gallery-item__content">
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																		Louis-Cyprien Rials, Désert inversé, special pigment print on paper, 2014								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/9-99-Dilmun-2014-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="9---99-Dilmun---2014-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTc3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvOS05OS1EaWxtdW4tMjAxNC1jb3B5LTEuanBnIiwic2xpZGVzaG93IjoiNWE4ZGEzZiJ9">
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															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Louis-Cyprien Rials, Dilmun, photographic print on paper, Bahrain, 2014								</div>
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									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/thumbnail_image-asset-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="thumbnail_image-asset (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTcwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvdGh1bWJuYWlsX2ltYWdlLWFzc2V0LTEuanBnIiwic2xpZGVzaG93IjoiNWE4ZGEzZiJ9">
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																		Louis-Cyprien Rials, Par une pluie violente et par des pierres de grêle (By Heavy Rain and Hailstones), Asama, (Japan), 2007 								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/thumbnail_Matsuo-LC-RIALS-2007-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="thumbnail_Matsuo-LC-RIALS-2007 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTcxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvdGh1bWJuYWlsX01hdHN1by1MQy1SSUFMUy0yMDA3LTEuanBnIiwic2xpZGVzaG93IjoiNWE4ZGEzZiJ9">
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																		Louis-Cyprien Rials, Et le tiers de la mer devint du sang (And a Third of the Earth Became Blood), Matsuo (Japan), 2007								</div>
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							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/GDL-2019-Louis-Cyprien-Rials-016-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="GDL-2019-Louis-Cyprien-Rials-016-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTgzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvR0RMLTIwMTktTG91aXMtQ3lwcmllbi1SaWFscy0wMTYtY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjVhOGRhM2YifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/GDL-2019-Louis-Cyprien-Rials-016-copy-1.jpg" data-width="1899" data-height="1265" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Louis-Cyprien Rials, Faith Rocks (trilogy), video 4k 16:9, stereo - 18’, Ethiopia, 2019								</div>
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									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/GDL-2019-Louis-Cyprien-Rials-015-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="5a8da3f" data-elementor-lightbox-title="GDL-2019-Louis-Cyprien-Rials-015-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTgyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvR0RMLTIwMTktTG91aXMtQ3lwcmllbi1SaWFscy0wMTUtY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjVhOGRhM2YifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/GDL-2019-Louis-Cyprien-Rials-015-copy-1.jpg" data-width="1899" data-height="1265" aria-label="" role="img" ></div>
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																		Louis-Cyprien Rials, Faith Rocks (trilogy), video 4k 16:9, stereo - 18’, Ethiopia, 2019								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
				</div>
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		]]></content:encoded>
					
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		<title>Vangjush Vellahu</title>
		<link>https://hestiabelgrade.com/artist/vangjush-vellahu/</link>
					<comments>https://hestiabelgrade.com/artist/vangjush-vellahu/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Thu, 20 Oct 2022 15:30:16 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=527</guid>

					<description><![CDATA[Born in 1987 in Pogradec (Albania), lives and works traveling the world, his base being in Berlin (Germany). Graduated in 2011 in the Department of Fine Arts at the National University of Arts in Bucharest (Romania). In his work Vangjush Vellahu is interested in travel as a medium to collect and tell stories. As a&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Vangjush Vellahu</h1>		</div>
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															<img loading="lazy" decoding="async" width="750" height="749" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/Vangjush-Vellahu.jpg" class="attachment-full size-full wp-image-528" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/Vangjush-Vellahu.jpg 750w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Vangjush-Vellahu-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Vangjush-Vellahu-150x150.jpg 150w" sizes="auto, (max-width: 750px) 100vw, 750px" />															</div>
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							<p>Born in 1987 in Pogradec (Albania), lives and works traveling the world, his base being in Berlin (Germany). Graduated in 2011 in the Department of Fine Arts at the National University of Arts in Bucharest (Romania). In his work Vangjush Vellahu is interested in travel as a medium to collect and tell stories. As a visual artist working with video, prints, objects and archives with the focus on different forms of storytelling particular to specific communities, he explores how collective memories of authoritarian regimes are produced and remembered by communities affected by them. His works intertwine urban histories of entities that from an ideological and political stand point remain on the margins of recognition. His travels often take a shape of journal-like reconfigurations that attempt at re-defining the popular understanding of what borders or territories represent today. His desire to travel comes from an impulse to cross such structures &#8211; to link the past with the imagination of possible futures, when where he come from and where he&#8217;s heading is very much related to that feeling, the feeling of uncertainty, alienation, but also of home.</p><p>Since 2014 he is part of a local group of emerging young artists – Nucleu 0000 – in Bucharest, that tries to coagulate an artistic organization as a response to the lack of cultural finance. Recent group exhibitions include “Hello World. Revising a Collection” at the Hamburger Bahnhof in Berlin (Germany), “Double Wall of Silence” at Škuc gallery in Ljubljana (Slovenia) and “We’re Not Like Them” at the Museum of Modern and Contemporary Art in Rijeka.</p><p><span style="text-decoration: underline;"><a href="http://vangjushvellahu.com/">For more info go to Vangjush Vellahu’s website</a></span></p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/VangjushVellahufinpdf.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-631d1765" data-id="631d1765" data-element_type="column">
			<div class="elementor-widget-wrap elementor-element-populated">
								<div class="elementor-element elementor-element-64ed2908 elementor-widget elementor-widget-spacer" data-id="64ed2908" data-element_type="widget" data-widget_type="spacer.default">
				<div class="elementor-widget-container">
					<div class="elementor-spacer">
			<div class="elementor-spacer-inner"></div>
		</div>
				</div>
				</div>
					</div>
		</div>
							</div>
		</section>
				<section class="elementor-section elementor-top-section elementor-element elementor-element-666b2e85 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="666b2e85" data-element_type="section" data-settings="{&quot;jet_parallax_layout_list&quot;:[]}">
						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3b2c11d3" data-id="3b2c11d3" data-element_type="column">
			<div class="elementor-widget-wrap elementor-element-populated">
								<div class="elementor-element elementor-element-2c176e84 elementor-widget elementor-widget-gallery" data-id="2c176e84" data-element_type="widget" data-settings="{&quot;gallery_layout&quot;:&quot;masonry&quot;,&quot;columns&quot;:2,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:60,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:40,&quot;sizes&quot;:[]},&quot;overlay_description&quot;:&quot;caption&quot;,&quot;lazyload&quot;:&quot;yes&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;}" data-widget_type="gallery.default">
				<div class="elementor-widget-container">
					<div class="elementor-gallery__container">
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Agdam-Vangjush-vellahu-3-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Agdam--Vangjush-vellahu--3 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTMyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvQWdkYW0tVmFuZ2p1c2gtdmVsbGFodS0zLTEuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Agdam-Vangjush-vellahu-3-1.jpg" data-width="1920" data-height="1080" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Movie still from Fragments I, Where stories cut across the land, 2015 - 2018, 6 channel video installation, color, sound.								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Fragments-I-1-mmsu-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Fragments-I-1-mmsu (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvRnJhZ21lbnRzLUktMS1tbXN1LTEuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Fragments-I-1-mmsu-1.jpg" data-width="1701" data-height="1135" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Fragments I, Installation view MMSU Rijeka, 2019								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Home-Conversations-1-impuls-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Home-Conversations-1-impuls (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvSG9tZS1Db252ZXJzYXRpb25zLTEtaW1wdWxzLTEuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Home-Conversations-1-impuls-1.jpg" data-width="1766" data-height="1179" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Home Conversations, With former employees of Impuls Factory Dilijan, Armenia, 2016 - 2018, 9 channel video installation, color, sound, 34 min 10 sec								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Monitor-3-00_04_26_08-Still065-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Monitor-3-00_04_26_08-Still065 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM2LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvTW9uaXRvci0zLTAwXzA0XzI2XzA4LVN0aWxsMDY1LTEuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Monitor-3-00_04_26_08-Still065-1.jpg" data-width="1920" data-height="1080" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Movie still from Home Conversations, With former employees of Impuls Factory Dilijan, Armenia, 2016 - 2018, 9 channel video installation, color, sound, 34 min 10 sec								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Temple-of-Vowels-2-anschapark.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Temple-of-Vowels-2-anschapark" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQxLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGVtcGxlLW9mLVZvd2Vscy0yLWFuc2NoYXBhcmsuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Temple-of-Vowels-2-anschapark.jpg" data-width="743" data-height="496" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Temple of Vowels, 2015, Loop (various times), Video, color, sound, aspect ratio 4:3,7-channel video and sound installation								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Temple-of-Vowels-3-anschapark.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Temple-of-Vowels-3-anschapark" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQyLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVGVtcGxlLW9mLVZvd2Vscy0zLWFuc2NoYXBhcmsuanBnIiwic2xpZGVzaG93IjoiMmMxNzZlODQifQ%3D%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Temple-of-Vowels-3-anschapark.jpg" data-width="743" data-height="495" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Installation view, Temple of Vowels, 2015								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/3-Poster-image-copy-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="3--Poster-image-copy (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQ0LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvMy1Qb3N0ZXItaW1hZ2UtY29weS0xLmpwZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/3-Poster-image-copy-1.jpg" data-width="2268" data-height="1276" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Video, Abkhazia After, 2015 - 2016								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/catalog-Inside-image-3-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="catalog-Inside-image-3 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTMzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvY2F0YWxvZy1JbnNpZGUtaW1hZ2UtMy0xLmpwZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/catalog-Inside-image-3-1.jpg" data-width="1920" data-height="1080" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Video, Varosha, A  silent town, 2016								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/Varosha-a-silent-town-1-1.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="Varosha--a-silent-town-1 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQzLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvVmFyb3NoYS1hLXNpbGVudC10b3duLTEtMS5qcGciLCJzbGlkZXNob3ciOiIyYzE3NmU4NCJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/Varosha-a-silent-town-1-1.jpg" data-width="1920" data-height="1080" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Video, Varosha, a silent town, 2016								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/50047195_344932696102769_6873499015787315200_n.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="50047195_344932696102769_6873499015787315200_n" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQ1LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvNTAwNDcxOTVfMzQ0OTMyNjk2MTAyNzY5XzY4NzM0OTkwMTU3ODczMTUyMDBfbi5qcGciLCJzbGlkZXNob3ciOiIyYzE3NmU4NCJ9">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/50047195_344932696102769_6873499015787315200_n.jpg" data-width="860" data-height="852" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		Vangjush Vellahu, Fragments I, Where stories cut across the land publication, Archive Books Berlin,2019								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-1.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="photo-Barnabás-Neogrády-Kiss (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM3LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvcGhvdG8tQmFybmFiYVx1MDMwMXMtTmVvZ3JhXHUwMzAxZHktS2lzcy0xLnBuZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-1.png" data-width="1200" data-height="800" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		"Fragments I" exhibited at ARE YOU SURE YOU WANT TO LEAVE?								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3415-1.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="photo-Barnabás-Neogrády-Kiss-456A3415 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM4LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvcGhvdG8tQmFybmFiYVx1MDMwMXMtTmVvZ3JhXHUwMzAxZHktS2lzcy00NTZBMzQxNS0xLnBuZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3415-1.png" data-width="1200" data-height="800" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		"Fragments I" exhibited at ARE YOU SURE YOU WANT TO LEAVE?								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3797-1.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="photo-Barnabás-Neogrády-Kiss-456A3797 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTM5LCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvcGhvdG8tQmFybmFiYVx1MDMwMXMtTmVvZ3JhXHUwMzAxZHktS2lzcy00NTZBMzc5Ny0xLnBuZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3797-1.png" data-width="1200" data-height="800" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		"Fragments I" exhibited at ARE YOU SURE YOU WANT TO LEAVE?								</div>
												</div>
									</a>
							<a class="e-gallery-item elementor-gallery-item" href="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3799-1.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-slideshow="2c176e84" data-elementor-lightbox-title="photo-Barnabás-Neogrády-Kiss-456A3799 (1)" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTQwLCJ1cmwiOiJodHRwczpcL1wvaGVzdGlhYmVsZ3JhZGUuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8xMVwvcGhvdG8tQmFybmFiYVx1MDMwMXMtTmVvZ3JhXHUwMzAxZHktS2lzcy00NTZBMzc5OS0xLnBuZyIsInNsaWRlc2hvdyI6IjJjMTc2ZTg0In0%3D">
					<div class="e-gallery-image elementor-gallery-item__image" data-thumbnail="https://hestiabelgrade.com/wp-content/uploads/2022/11/photo-Barnabás-Neogrády-Kiss-456A3799-1.png" data-width="1200" data-height="800" aria-label="" role="img" ></div>
															<div class="elementor-gallery-item__content">
														<div class="elementor-gallery-item__description">
																		"Fragments I" exhibited at ARE YOU SURE YOU WANT TO LEAVE?								</div>
												</div>
									</a>
					</div>
			</div>
				</div>
					</div>
		</div>
							</div>
		</section>
				<section class="elementor-section elementor-top-section elementor-element elementor-element-36c0d66 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="36c0d66" data-element_type="section" data-settings="{&quot;jet_parallax_layout_list&quot;:[]}">
						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-585705a6" data-id="585705a6" data-element_type="column">
			<div class="elementor-widget-wrap elementor-element-populated">
								<div class="elementor-element elementor-element-e6bee72 elementor-widget elementor-widget-spacer" data-id="e6bee72" data-element_type="widget" data-widget_type="spacer.default">
				<div class="elementor-widget-container">
					<div class="elementor-spacer">
			<div class="elementor-spacer-inner"></div>
		</div>
				</div>
				</div>
					</div>
		</div>
							</div>
		</section>
				<section class="elementor-section elementor-top-section elementor-element elementor-element-ac158d3 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="ac158d3" data-element_type="section" data-settings="{&quot;jet_parallax_layout_list&quot;:[]}">
						<div class="elementor-container elementor-column-gap-default">
					<div class="elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1642bf6" data-id="1642bf6" data-element_type="column">
			<div class="elementor-widget-wrap elementor-element-populated">
								<div class="elementor-element elementor-element-775e3a2 elementor-widget elementor-widget-heading" data-id="775e3a2" data-element_type="widget" data-widget_type="heading.default">
				<div class="elementor-widget-container">
			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
				</div>
					</div>
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		<title>Ana Vujović</title>
		<link>https://hestiabelgrade.com/artist/ana-vujovic/</link>
					<comments>https://hestiabelgrade.com/artist/ana-vujovic/#respond</comments>
		
		<dc:creator><![CDATA[pedja]]></dc:creator>
		<pubDate>Wed, 19 Oct 2022 16:09:59 +0000</pubDate>
				<guid isPermaLink="false">http://new.hestiabelgrade.com/?post_type=dt_portfolio&#038;p=589</guid>

					<description><![CDATA[Born in 1979, based in Belgrade (Serbia). Graduated and received her master’s degree in 2006 at the Faculty of Fine Arts, University of Belgrade. She had several solo and group shows, and has participated in artist-in-residence programs in Croatia, Greece, Germany, Italy and Belgium. Employing a mix of multimedia and digital, Ana Vujović’s work explores&#8230;]]></description>
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			<h1 class="elementor-heading-title elementor-size-default">Ana Vujović</h1>		</div>
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															<img loading="lazy" decoding="async" width="750" height="750" src="https://hestiabelgrade.com/wp-content/uploads/2022/11/Ana-Vujovic.jpg" class="attachment-full size-full wp-image-590" alt="" srcset="https://hestiabelgrade.com/wp-content/uploads/2022/11/Ana-Vujovic.jpg 750w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Ana-Vujovic-300x300.jpg 300w, https://hestiabelgrade.com/wp-content/uploads/2022/11/Ana-Vujovic-150x150.jpg 150w" sizes="auto, (max-width: 750px) 100vw, 750px" />															</div>
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							<p>Born in 1979, based in Belgrade (Serbia). Graduated and received her master’s degree in 2006 at the Faculty of Fine Arts, University of Belgrade. She had several solo and group shows, and has participated in artist-in-residence programs in Croatia, Greece, Germany, Italy and Belgium.</p><p>Employing a mix of multimedia and digital, Ana Vujović’s work explores the post-analogue experience – society’s interactions with the digital world and its relationship to our roots of traditional heritage. Her works are created as a set of multiple, equally important elements that open up a dialogue, analyzing the relationship of two different visual languages, focusing on the issues of manipulation and deformation within societal and social themes. Inspired by an error made by a machine i.e., modern digital technology, the artist simulates this principal of error created by modern technology in the traditional analogue medium. In her works she explores the relationship between tradition and contemporary life, and through the motif of a deformed ornament, Ana makes a visual commentary on the society in which we live, which involves a complex reconsideration of the established canon and value systems, as well as the accelerated changes we are exposed to as a society. Ana’s art practice involves object making, sculpture, installation, interventions, drawing and painting through which she examines marginalized part of the society through combination of multidisciplinary sound and light installations, and in her most recent works through multimedia objects, how we encounter and understand the hypocrisy of society.</p><p><a href="https://www.anavujovic.net"><span style="text-decoration: underline;">For more info go to Ana Vujović’s website</span> </a></p>						</div>
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			<h3 class="elementor-heading-title elementor-size-default"><a href="https://hestiabelgrade.com/wp-content/uploads/2022/11/anavujoviccv2022.pdf" target="_blank">Artist’s CV</a></h3>		</div>
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																		Ana Vujović, By the Book, dimensions: 210 cm diameter, 2017.								</div>
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																		Ana Vujović, Blind Date series, Ursula Le Guin, The Dispossessed, material: klirit, neon, Braille alphabet, dimensions: 70cm x 25cm, 2019.								</div>
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																		na Vujović, Contemplating the Past, site specific installation, material: cardboard and crack in floor, dimensions: 35cm x 45cm, 2018								</div>
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																		Ana Vujović, Contemplating the Past, site specific installation, material: cardboard and crack in floor, dimensions: 35cm x 45cm, 2018								</div>
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																		Ana Vujović, Other View series, plywood, acrylic paint, resin, dimensions: 40 x 30 x 6 cm								</div>
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																		Ana Vujović, By the Book series, Petrov ćilim / Peter's Kilim, object/sculpture, kilim and epoxy, dimensions variable, 2017.								</div>
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																		Ana Vujović, The Future is repeated series, material: ceramic, plastic beads, yarn dimension: 190cm x 25cm x25cm year 2017.								</div>
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																		Ana Vujović, Kanonatra series, woven kilim, dimensions: 60cm x 170cm, 2016.								</div>
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																		Ana Vujović, Kanonatra, Silkscreen print, dimension: 31cm x31cm, 2014								</div>
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																		"Trying to Grow Wings" solo exhibition at Murate Art District, Florence, Italy, 2022								</div>
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			<h2 class="elementor-heading-title elementor-size-default"> Artists</h2>		</div>
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